An actor’s training is one of setting and continuing to build on the foundation of what will ultimately be, for the actor, a truly personal technique, a way of working that serves their unique instrument,  talents  and soul: "Their ability to live [or behave] truthfully under imaginary circumstances." This means that at the foundation and every brick thereafter I am concerned with the actor’s  availability to themself, to their partners and to their worlds, real and imagined - with taking them out of their head and freeing them to follow their impulses - with working off behavior instead of words- with really talking and really listening - with rising above conventional thinking  -  with meeting every moment  in a way that is specifically and personally meaningful... that is, in a way that brings them and with them, the words to life.